Showing posts with label orchestre regional de sikasso. Show all posts
Showing posts with label orchestre regional de sikasso. Show all posts

February 07, 2010

Diabaté

His fellow musicians often refer to him as just "Diabaté". But if you search on the internet you'll soon find that Abdoulaye Diabaté is the subject - or victim even - of a lot of confusion.
So let me get a few things straight. He doesn't play the kora, but does have an above average talent as a drummer. He does have a brother, but isn't the brother of Kassemady. He does not live in Canada or the US, but in Koutiala in the Sikasso region of Mali.

This Abdoulaye Diabaté (subject of earlier posts, here and here) is the man who drove audiences wild* at the Biennales in the 1980s.
I first met him at the 1988 Biennale, which was the last of the old style Biennales. I even interviewed him and Mamadou Diakité, chef d'orchestre of the Kéné Star, the regional orchestra of Sikasso. He struck me then as a somewhat shy person, who left all the talking to Mamadou Diakité.
I met him again just over a year later, when he was playing with his own Koule Star in Markala, near Segou. Surrounded by local (female) fans, he was far more relaxed and obviously in his element. He even allowed me to make some recordings, which I may post at a later date.

Both at the Biennale and at the Markala concert he played most of the tracks of this cassette. The track "Louanze", about the poor legal position of tenants, even became a nationwide hit.
At the concert in Markala he surprised me by dedicating a song to me; much to my annoyance the song was "Africa", which I consider to be the most irritating song on this album.....

This is certainly not my favourite album by Abdoulaye Diabaté. It was recorded in Abidjan, and that is always a huge handicap for Malian musicians. It usually means arrogant recording engineers imposing their technical gadgets on overwhelmed artists. In that respect the lp, which was later released for the western market, is in my opinion slightly worse than the cassette. So I am including both the cassette and the lp, so you can make up your own mind.

Luckily Diabaté did manage to slip in two more 'basic' tracks, with only guitar and ngoni accompanying his (brilliant) vocals. These two tracks alone justify posting this album.....

SYL 8387 cassette
Syllart 8387, Melodie 38765 lp

As a bonus I am adding this video, from a concert in 1988 in Bamako. The track is actually from the cassette which I posted earlier.


*all within Malian proportions, that is. So no hysterical scenes....

EDIT March 14, 2016: the link to the cassette version has been renewed!

November 09, 2009

Panorama

Having posted the first lp on the Mali Music label, it seems only logical I should also share the second with you. This album contains tracks by the same orchestras as on the first, with the addition of the regional orchestra of the Sikasso region.

The addition is absolutely justified, because the two tracks are of an Orchestre Regional de Sikasso in exceptional form. With the great guitarist Madou Sangaré a.k.a. "Madou Guitare" leading the troops, Sikasso never had a stronger line-up.

Some of these songs have been re-released on CD recently by Ibrahima Sylla, who - as reliable Malian sources have reported repeatedly - has obtained these recordings by other than purely legal means. The same producer has gained access to the Syliphone catalogue by the same or a similar dubious method; and in this case the report comes from the highest possible source, Justin Morel Junior, - a man not only involved in the Syliphone label at the time, but also (at least according to the latest reports) the present Guinean Minister of Cultural Affairs. In a later post I will return to this subject....

Returning to the lp, I would like to draw your attention to the two extraordinary tracks by the Orchestre de Gao, the first based on a takamba rhythm (at least, according to the sleeve notes; I still have problems recognising the takamba bit...) and the second described more accurately as a "romance sonhraï sur un air de blues" (and this time I do hear traces of takamba).

Strangely the Rail Band is represented by two tracks which I would normally expect from Super Biton. Both "Badialamale" and "Sounan" are bambara rhythms from the Segou region. The latter is based on the bara (picture on the left) rhythm which Biton have used more than once.

Personally I can't get enough of this music by those legendary orchestras from Mali.

Mali Music Mali 1002

EDIT: there was a problem with the file. This has (hopefully) been corrected.