Although I suspect the word was borrowed from Kabasélé's African Jazz, the roots of the orchestra using the word "Ambiyansey" go back even further than this legendary Congolese band. Because in the year African Jazz was founded Salum Abdallah renamed his orchestra "La Paloma", which he founded four years before in 1948, to Cuban Marimba.If you are interested in music from this early period I advise you to look out for the "Ngoma Iko Huku" CD on the Dizim label (dizim 4701-2).
In this post I would like to share a cassette from a later period, but I can't tell you exactly when this music was recorded.
There is certainly an influence of Congolese music in Cuban Marimba's songs, but this is more noticeable in the details (the "Ambiyansey" I mentioned, the title "Maselina" and such) than in the music itself. The music has a very strong authenticity, a unique Tanzanian originality.
Listen to that break after 1'12 in "Wame Zoweya Kusema", or the one after 1'58 in "Cysilia", or to the hypertensed guitar playing in "Hayawi Hayawi", or to that 'free fall' (and no parachute!) rhythm in "Kilazi Munambie": it's all brilliantly uniquely Cuban Marimba!
Regretfully the quality of the cassette is rather poor. But who cares, with such a great ambiyanse!
C SABA 10
