Some updates

A few updates on earlier posts.

You may remember those great videos by that majestic Malian diva Kandia Kouyaté (here, here and here). When I met her in Bamako last year Lucy Duran pointed out to me that it was unlikely, if not completely incorrect, that Kandia was 18 when these videos were recorded. I told her I was inclined to agree with her but was hesitant to correct this, as the 'grand dame' herself was the source of this information. She had told me this when I interviewed her in 1990 (photo - by the great Ton Verhees - on the right). Lucy has since reminded me in an email. She wrote: "Mali TV opened in 1983 and Kandia was born in 1958. I first met her in 1986 which is around the time that she did songs like Moussolou. Bouba Sacko only joined her group in 1985, before that she had a 12 string guitarist from Kita called Kissima Diabate who was living in Abidjan, and with whom she recorded Amary Daou présente Kandia Kouyate. So Actually Kandia will have been around 27 or 28 when she filmed those clips. The presenter was Zoumana Yoro Traoré and the programme was probably 'Artiste et sa musique'."




Then some updates from Guinea.
Graeme Counsel (website!!) is in Conakry at the moment continuing his work digitising and preserving the archives of the RTG. He has tumbled upon the original reel containing the first track of side B of that superb album "Boum à Conakry". According to the notes and label of the album this is a track called "El Checheré" by the Orchestre de la Paillote. It turns out that this information is incorrect. In fact the song is by l'Orchestre Honoré Coppet, and was recorded either on February 2 or March 24, 1963 at the Bonne Auberge by a certain Katty using a Nagra III reel-to-reel recorder! And this "Katty", Graeme adds, is probably Emmanuel Kathy, a director of the Voix de la Révolution studios.
Honoré Coppet was born in Martinique and traveled to Senegal and Guinea in the late 1950s. He played alto saxophone in the Syli Orchestre Nationale.






And yesterday he reported that he has found a reel containing recordings by that amazing accordeon player Petit Moussa (you may remember the mind boggling cassette sleeve). Apparently the man is called Moussa Diawara. Graeme has added a photo of this amazing find. Let's hope (or if you like you may pray) that these recordings are as spectacular as the ones on the cassette!

That's all for now. More music to follow soon.

Four mysteries

I am hoping someone can shed some light on these four mystery tracks.

The mystery is not in who is singing. The singer is clearly and recognisably the great Aboubacar Demba Camara. This limits the options when it comes to the orchestra accompanying the man: it is either the Syli Orchestre National or Bembeya Jazz.
My guess would be the latter, but both is also a possibility (with the first two songs by Syli National and the last two by Bembeya) .

The mystery lies mainly in the origin of these recordings. I have so far been unable to trace when, where and by whom they were made. And the titles are just guesswork, because they were missing on the source cassette (In fact, there was nothing at all on the cassette to indicate its content).

By the inclusion of the two Cuban (or at least latin) songs I am inclined to date these recordings shortly after Demba's trip to Cuba. He went there, as he told in an interview with the R.T.G., in December 1965 and met Cuban legend Abelardo Barroso. This must have inspired him to do some more Cuban songs....

So please feel free to speculate. And if you have some expert knowledge, please step forward!

4 songs from the sixties

EDIT February 21, 2011: Although all four tracks are from the same cassette, the last two appear to be a bit fast. I am adding two attempts at correcting this. Please let me know which one you think is correct.
The corrections are all in this file (new link May 28, 2011).

The first Syli Orchestre National

Graeme Counsel has sent me three photos of the first Syli Orchestre National, which I would like to share with you. He is trying to identify the musicians in these photos.
Some of these have already been named by Balla (of Balla et ses Balladins), but others remain a mystery.
Honoré Kopé should be Honoré Coppet, a musician from Martinique, who we suspect to be the star of biguine music from the 1940s and 1950s, and who had his own orchestra in Guinea in the early 1960s.
Sanoussi Kanfory was the first chef d'orchestre.
The sax player next to Honoré Coppet has been identified as Mamadi Kourouma.

If anyone can help, please comment on the post or mail to Graeme.

More from Algiers

Judging by the comments on the first post of this concert by the legendary Syli Orchestre National from Guinea, there seems to be some uncertainty about the musicians participating.

I am certainly not qualified to express an opinion, but I can try and help. Not just by sharing this video, but also by posting some photos from another version of this same video.

The latter is from a commercial video cassette titled "Justin Morel Junior présente L'Afrique en Fête" (JMJ Video KV 1950). Unfortunately the video shows little respect for the historic value of the images, because it contains more video effects (strange whirls, zooms, cross-fades and such) than clear footage.
And it also breaks off after just over 6 minutes!

So it seems there just isn't any more left of this track than these six minutes and 12 seconds....
But these minutes are precious, as I am sure you will agree.

Syli Orchestre National

Formed in 1959, the Syli Orchestre National contained Guinea's elite musicians. The orchestra represented Guinea at international festivals, including Helsinki (1962), Algiers (1969), and Tunis (1973), as well as performing in Berlin, Lagos and Cuba. The first chef d'orchestre was Kanfory Sanoussi (accordion, banjo and vibraphone), with other musicians at the time including Kerfala “Papa” Diabaté (guitar), Balla Onivogui (trumpet), Kélétigui Traoré (tenor saxophone), Clement Dorego (tenor saxophone), Honore Coppet (alto saxophone), Momo Wandel (alto saxophone), Pivi Moriba (trombone), Kerfala Camara (bass), and Jean Fanga (drums). In later years the orchestre included Demba Camara (vocals) and Sékou "Bembeya" Diabaté (lead guitar). In 1962 they were disbanded, as they were too many musicians, though the orchestra were reformed for special occasions for many years to come. At the Premier Festival Culturel Panafricain held in Algiers in 1969 the Syli Orchestre Nationale performed "Regard sur le passé", by Bembeya Jazz, "Sara", by Balla et ses Balladins, and other material from Guinean orchestras. They were rewarded with a silver medal in the "Orchestre moderne" section.

Graeme Counsel (here)

Here is a video from the concert in 1969, featuring the legendary singer Aboubacar Demba Camara, and Sekou Diabaté 'le Docteur' (Balladins) and a young Sekou Diabaté 'Bembeya' on guitar, and Sekou Legrow (he's the one with the silly walk at the beginning), Balla, Kélétigui, Pivi and lots of other superb musicians.

The energy, the drive, the music, the voice: this is top of the league music from Guinea!*

*"O.U.A." (referring to the Organisation of African Unity) is a version of a track by the Orchestre de Beyla (i.e. Bembeya Jazz) on Syliphone SLP 5.