The doctor is dead

June 29, 1989 (photo: Ton Verhees)

According to this report Remmy Ongala has died on Monday morning December 13, 2010 in Dar-Es-Salaam, Tanzania. Born in 1947 in the Kivu province of eastern Congo, Remmy played with several bands in Congo before moving to Tanzania. He himself in an interview in 1989 (audio 1) mentioned Orch.Grand's Mike Jazz, based in Bukavu, where he played with Rachid King, who he called "his brother in Washington". When King was invited to the US in 1978, Remmy was contacted in Bukavu by Mzee Makassy (audio 2). He played with Orchestra Makassy until Makassy himself left for the UK in 1980, selling his instruments as he was going to buy new ones in Europe. When ex-O.K. Jazz guitarist Mose 'Fanfan' Sesengo didn't feel like waiting for Makassy and decided to start his own orchestra called "Matimila", he invited Remmy to join him. Remmy agreed but with the intention to go back to Makassy as soon as he had returned. But when Makassy returned he refused to take back the defectors. After about a year and a half Fanfan announced he would move on, and left Remmy in charge of Matimila.

Remmy Ongala was known among his fans as the 'witchdoctor', a nickname which amused him, as he confessed in 1989 (audio 3). Maybe he also liked the implied reference to "le Sorcier de la guitare", Franco, who was certainly Remmy's main musical hero and a major influence on his music (audio 4).

I have met Remmy several times in the late 1980s and early 1990s, and he struck me as a very passionate and sincere musician, whose main ambitions were with his public. "Singing for the poor" (see my earlier post) with Remmy Ongala was no cliché.

As a tribute to this great man and true African I would like to share with you this cassette which was released in 1989. It is a good example of Ongala in his purest form.

May he rest in peace.

AHD[MC] 6009

PS: the four fragments of the 1989 interview can also be downloaded as one file here.

Talakaka

An artist who should have been doing well in these times of recession and impending poverty, is Remmy Ongala.
As he himself told me in an interview just over twenty years ago:
(loosely translated) "....Me, I sing for the poor, I don't sing for the rich. To the rich I say they shouldn't frustrate the poor, because they are poor. For before you were rich, your father was poor. Or your grandfather too was poor. Maybe there wasn't a school, - because now school has become essential in present-day life. To get a job you must be able to read. To work the land you must be able to read. But before it wasn't like this. It was by strength: if you were strong you could work the land and have food to eat. And nowadays, people see it as a matter of prestige, because (they say) he went to university and he knows how to read and all that. I always try to tell people that the poor are always numerous, and they are the ones that give courage to the rich, they are the ones that always work the land, they are the ones that build all the houses. The rich never do any building. My songs are like that. So when I compose a song I don't always write down the words. I always recount the truth, of what I encounter, of what I see; and in the evening during a concert I sing this..."

The lp I would like to share with you in this post, is one of his earlier releases (see discography). According to Remmy there is no real difference between Super Talakaka and Super Matimila. Furthermore, when I talked to him in 1989 he was not even aware of the existence of this album....

More biographic details can be found here, and more music and bits of interviews in a later post.

POLP 538

PS: the great photo was taken during the interview by the great Ton Verhees.

EDIT November 10, 2012: Renewed the links.

EDIT August 4, 2019: Once more the link to the album has been renewed!